Greeting Cards - New Arrival

Text on the reverse side:What was intended as scorn became iconic. In Pride and Prejudice, Elizabeth Bennet’s boldness and wit reflect Austen’s cel...

Text on the reverse side:A refined 1830s engraving of Jane Austen, first published in 1869 in A Memoir of Jane Austen. As an author, her sharp wit ...

Text on the reverse side:The stone circle in Wiltshire, England, is a UNESCO world heritage site, built over 5000 years ago and took 1000 years to ...

Text on the reverse side:A contemporary Japanese male adaptation of a Japanese woodblock print dating from 1814. The Japanese word for frog is “kae...

Text on the reverse side:A Torah shield decorates the front of a Torah scroll when it is not being read. The ornament bears the inscription "Crown ...

Text on the reverse side:Featured in the Illustrated London News ahead of its launch in Bristol on 19 July 1843, this antique wood engraving captur...

Text on the reverse side:This illustration served to announce the launch of SS Great Britain - the first iron-hulled, screw-propelled ship to cross...

Text on the reverse side:An illustration from “La Chasse Illustrée” (“The Illustrated Hunt”), a hunting journal published by Firmin-Didot. The arti...

Text on the reverse side:Engraving from The Illustrated London News, 24 September 1859, featuring Isambard Kingdom Brunel alongside his most iconic...

Text on the reverse side:Monkeys symbolise cleverness and status; pine trees resilience and longevity. In Qing Dynasty China, these motifs conveyed...

Text on the reverse side:This illustration dates to the 1892 edition of the Dictionnaire Universel d’Histoire Naturelle - a masterful fusion of sci...

Text on the reverse side:Likely featured in an early 19th-century natural history work such as The Naturalist’s Library, this detailed illustration...

Text on the reverse side:Allebé, a Dutch artist known for his academic and animal studies, captured this monkey in a moment of introspection. The w...

Text on the reverse side:Playful and alert, monkeys scamper among ancient pine boughs. With expressive brushwork and lively composition, the scene...

Text on the reverse side:A contemporary Fort Nelson adaptation of a Japanese woodblock print from 1814. The Japanese word for frog is “kaeru”, whic...

Text on the reverse side:The Micrarium is a unique back-lit cave of 2300 microscope slides highlighting some of the smallest specimens in the Grant...

Text on the reverse side:221B Baker Street is one of the most famous addresses worldwide. The museum of 221B is where visitors feel like they've st...

Text on the reverse side:The last of Dickens' London homes, Doughty Street, saw the creation of Oliver Twist, Pickwick Papers, and Nicholas Nickleb...

Text on the reverse side:Construit pour l’Exposition universelle de 1900, le Petit Palais incarne la grandeur de la Belle Époque, alliant design cl...

Text on the reverse side:Built for the 1900 Universal Exhibition, the Petit Palais exemplifies Belle Époque grandeur, blending classical and modern...

Text on the reverse side:L’illustration saisit l’élégance et l’anticipation d’une grande soirée, mettant en valeur un somptueux manteau du soir de ...

Text on the reverse side:The Illustration captures the elegance and anticipation of a grand evening out, showcasing a luxurious evening coat by the...

Text on the reverse side:La Maison Worth, fondée en 1858 au 7 rue de la Paix à Paris, est devenue l’épicentre de la haute couture. Appréciée par la...

Text on the reverse side:The House of Worth, founded in 1858 at 7 Rue de la Paix, Paris, became the epicentre of haute couture. Favoured by royalty...

Text on the reverse side:Paru dans La Gazette du Bon Ton, un magazine de mode emblématique de l’ère Art déco, ce dessin illustre une élégante robe ...

Text on the reverse side:Vers l’âge de 30 ans, Charles Worth était un talent prometteur à Paris, travaillant chez Gagelin et créant des robes admir...

Text on the reverse side:Charles Worth, père de la haute couture, a révolutionné la mode du XIXᵉ siècle avec ses robes luxueuses sur mesure. Il hab...

Text on the reverse side:Charles Frederick Worth, the father of haute couture, revolutionised 19th-century fashion with his luxurious, custom-made ...

Text on the reverse side:Parue dans La Gazette du Bon Ton, un magazine emblématique de l’ère Art déco, cette illustration montre deux femmes vêtues...

Text on the reverse side:Tirée de la pièce La Dame aux Camélias, la somptueuse robe de la maison Worth, avec sa soie fluide et ses ornements raffin...

Text on the reverse side:Une scène de salon de mode, où une femme portant le manteau Worth est observée par un groupe de personnages élégants, refl...

Text on the reverse side:Featured in La Gazette du Bon Ton, a leading Art Deco-era fashion magazine, this illustration depicts two women in luxurio...

Text on the reverse side:Featured in La Gazette du Bon Ton, a leading Art Deco-era fashion magazine, this illustration presents an elegant evening ...

Text on the reverse side:From the play La Dame aux Camélias, the sumptuous gown by the House of Worth with flowing silk and ornate detail, perfectl...

Text on the reverse side:A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflectin...

Text on the reverse side:Around age 30, Charles Worth was a rising talent in Paris, working at Gagelin and designing dresses that drew elite attent...