Art/Painting Art Prints

The illustration from a 19th century lithograph portrays Mrs Sarah Gamp, the dishevelled and gin-loving nurse from Martin Chuzzlewit. Fred Barnard’...

This illustration presents Mr Pickwick, the benevolent founder of the Pickwick Club, rendered with warmth and gentle humour. Fred Barnard’s 1880s i...

This charming image from a 19th century lithograph depicts Alfred Jingle, the rakish trickster from Charles Dickens’s Pickwick Papers, in Barnard’s...

One of thirteen kimono-clad portraits made between 1893 and 1896, this work features a Dutch hatmaker’s daughter who became the artist’s muse. Infl...

A quiet yet profound moment from Pride and Prejudice, where misunderstandings are set aside and truth is finally spoken. In the stillness of night,...

A moment from Pride and Prejudice where social grace meets subtle matchmaking. With poised elegance and underlying strategy, this introduction hint...

A contemplative moment from Pride and Prejudice, where stillness speaks volumes. As she gazes upon the portrait, emotions shift—revealing the quiet...

From Pride and Prejudice comes a moment of sharp humour and fearless charm. Austen’s heroine turns boldness into brilliance, challenging expectatio...

Drawn from the timeless novels of Jane Austen, these quotes reveal sharp wit, gentle wisdom, and enduring truths about society, and human nature. E...

Drawn from Catharine or the Bower (1775) by Jane Austen, this sentiment captures the magic of a well-crafted book—when storytelling is rich and com...

Written in the final months of Jane Austen’s life, her novel Persuasion carries a tone of quiet maturity. Anne Elliot’s faith that “Time will expla...

What was intended as scorn became iconic. In Pride and Prejudice, Elizabeth Bennet’s boldness and wit reflect Austen’s celebration of a woman unafr...

A refined 1830s engraving of Jane Austen, first published in 1869 in A Memoir of Jane Austen. As an author, her sharp wit and quiet rebellion shape...

Featured in the Illustrated London News ahead of its launch in Bristol on 19 July 1843, this antique wood engraving captures the pioneering steamsh...

This illustration served to announce the launch of SS Great Britain - the first iron-hulled, screw-propelled ship to cross the Atlantic. Designed b...

An illustration from “La Chasse Illustrée” (“The Illustrated Hunt”), a hunting journal published by Firmin-Didot. The artist is unknown, though sim...

Engraving from The Illustrated London News, 24 September 1859, featuring Isambard Kingdom Brunel alongside his most iconic engineering achievements...

Monkeys symbolise cleverness and status; pine trees resilience and longevity. In Qing Dynasty China, these motifs conveyed auspicious wishes for su...

This illustration dates to the 1892 edition of the Dictionnaire Universel d’Histoire Naturelle - a masterful fusion of scientific observation and a...

Likely featured in an early 19th-century natural history work such as The Naturalist’s Library, this detailed illustration reflects a time when vis...

Allebé, a Dutch artist known for his academic and animal studies, captured this monkey in a moment of introspection. The work reflects 19th-century...

Parue dans La Gazette du Bon Ton, un magazine emblématique de l’ère Art déco, cette illustration montre deux femmes vêtues de somptueux manteaux du...

Une scène de salon de mode, où une femme portant le manteau Worth est observée par un groupe de personnages élégants, reflétant l’atmosphère sophis...

A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflecting the sophisticated and s...

Around age 30, Charles Worth was a rising talent in Paris, working at Gagelin and designing dresses that drew elite attention. His flair led to gro...

L’impératrice Eugénie (1826–1920), grande icône de la mode du XIXᵉ siècle, dépensait environ 300 000 francs par an auprès de la Maison Worth, une s...

Empress Eugénie (1826–1920), a leading fashion icon of the 19th century, spent around 300,000 francs annually with the House of Worth, a sum equiva...

The Camden Head in Islington is a fine example of Victorian pub architecture. Built in 1899, as shown by carved exterior panels, it is a Grade II l...

Illustration from a coloured chromolithograph published in Boy's Own Paper, featuring detailed illustrations of various Scottish clan tartans, refl...

Illustration from The Fruit Grower's Guide, 1891. Gascoigne's Seedling is a rare English dessert apple with aromatic flavour, while Sandringham app...

Hugh Montgomerie, the 12th Earl of Eglinton, was appointed a Knight of the Thistle in 1859, Scotland’s highest chivalric honour, named after its em...

A colourised adapation of a lithograph by Charles Radclyffe, who worked in London in 1842 to capture this South Western view of St Paul’s Cathedral...

In 1925, 48 Doughty Street, Dickens’ home from 1837 to 1839, was acquired by the Dickens Fellowship. To mark the centenary in 2025, this is a speci...

In the Joseon dynasty, embroidered badges were crafted by skilled artisans for royalty or officials. Cranes symbolise longevity and purity in Korea...

The Joseon dynasty rank badge symbolised authority, with its tiger motif embodying courage, power, and protection in Korean culture. The surroundin...

A character near Covent Garden, by artist M. Egerton. This print is a twin to another, where a man calls out ‘A Merry Christmas and a Happy New Yea...