Art/Painting Art Prints

Parue dans La Gazette du Bon Ton, un magazine emblématique de l’ère Art déco, cette illustration montre deux femmes vêtues de somptueux manteaux du...

Une scène de salon de mode, où une femme portant le manteau Worth est observée par un groupe de personnages élégants, reflétant l’atmosphère sophis...

A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflecting the sophisticated and s...

Around age 30, Charles Worth was a rising talent in Paris, working at Gagelin and designing dresses that drew elite attention. His flair led to gro...

L’impératrice Eugénie (1826–1920), grande icône de la mode du XIXᵉ siècle, dépensait environ 300 000 francs par an auprès de la Maison Worth, une s...

Empress Eugénie (1826–1920), a leading fashion icon of the 19th century, spent around 300,000 francs annually with the House of Worth, a sum equiva...

The Camden Head in Islington is a fine example of Victorian pub architecture. Built in 1899, as shown by carved exterior panels, it is a Grade II l...

Illustration from a coloured chromolithograph published in Boy's Own Paper, featuring detailed illustrations of various Scottish clan tartans, refl...

Illustration from The Fruit Grower's Guide, 1891. Gascoigne's Seedling is a rare English dessert apple with aromatic flavour, while Sandringham app...

Hugh Montgomerie, the 12th Earl of Eglinton, was appointed a Knight of the Thistle in 1859, Scotland’s highest chivalric honour, named after its em...

A colourised adapation of a lithograph by Charles Radclyffe, who worked in London in 1842 to capture this South Western view of St Paul’s Cathedral...

In 1925, 48 Doughty Street, Dickens’ home from 1837 to 1839, was acquired by the Dickens Fellowship. To mark the centenary in 2025, this is a speci...

In the Joseon dynasty, embroidered badges were crafted by skilled artisans for royalty or officials. Cranes symbolise longevity and purity in Korea...

The Joseon dynasty rank badge symbolised authority, with its tiger motif embodying courage, power, and protection in Korean culture. The surroundin...

A character near Covent Garden, by artist M. Egerton. This print is a twin to another, where a man calls out ‘A Merry Christmas and a Happy New Yea...

A character near Covent Garden during the festive season, by artist M. Egerton. The original design has the caption ‘A Merry Christmas and a Happy ...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

The rose symbolises both beauty and fragility - qualities deeply intertwined with the opera’s themes, conveying the dramatic intensity of Tosca, Pu...

The stage set painting for La Bohème captures the vibrant atmosphere of Paris's Latin Quarter. Rich in detail, the design reflects the opera’s bohe...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

After a fire destroyed the original site, His Majesty’s Theatre reopened in the Haymarket in 1791 amid great acclaim. Then England’s largest theatr...

Life classes in the 19th century were considered prestigious yet challenging. Female models were rare due to the taboo against women posing nude. S...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.