Art/Painting Art Prints

A character near Covent Garden during the festive season, by artist M. Egerton. The original design has the caption ‘A Merry Christmas and a Happy ...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

The rose symbolises both beauty and fragility - qualities deeply intertwined with the opera’s themes, conveying the dramatic intensity of Tosca, Pu...

The stage set painting for La Bohème captures the vibrant atmosphere of Paris's Latin Quarter. Rich in detail, the design reflects the opera’s bohe...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

In 1809, the Royal Ballet & Opera in London, then known as the Theatre Royal Covent Garden, was rebuilt after a devastating fire. It reopened w...

Life classes in the 19th century were considered prestigious yet challenging. Female models were rare due to the taboo against women posing nude. S...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

Shamsa means “little sun”. Widely used in Islamic art, this motif in a form of an intricately decorated rosette with a repetitive floral and geomet...

Detail from a of a coloured aquatint showing a diorama scenic view of London seen from St. Paul's cathedral. Ackermann was an Anglo-German booksell...

A portrait of the English natural philosopher Adam Walker (1730–1821) known for captivating public lectures that popularised science. Using instrum...

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This drawing, which accompanied Dickens and his wife during their tour of the USA in 1841, served as a reminder of their children and the family pe...

Illustration by the German born Dutch anatomist, Albinus, son of a professor of the practice of medicine. He served as a professor of medicine at t...

This illustration from the 6th edition of John Stow’s Survey of London included an engraving of the Northwest view of St Paul’s Cathedral. Initiall...

Nestled in the heart of Islington, London, Camden Passage has been one of London’s leading antique locations since the 1950s with shops, dealers, a...

A colourised adapation of a lithograph by Charles Radclyffe, who worked in London in 1842 to capture this South Western view of St Paul’s Cathedral...

An example of a vanitas painting - a genre that became popular in the Netherlands during the 17th century, this still-life art genre serves as a re...