Greeting Cards - New Arrival

Text on the reverse side:The Micrarium is a unique back-lit cave of 2300 microscope slides highlighting some of the smallest specimens in the Grant...

Text on the reverse side:221B Baker Street is one of the most famous addresses worldwide. The museum of 221B is where visitors feel like they've st...

Text on the reverse side:The last of Dickens' London homes, Doughty Street, saw the creation of Oliver Twist, Pickwick Papers, and Nicholas Nickleb...

Text on the reverse side: Construit pour l’Exposition universelle de 1900, le Petit Palais incarne la grandeur de la Belle Époque, alliant design ...

Text on the reverse side: Built for the 1900 Universal Exhibition, the Petit Palais exemplifies Belle Époque grandeur, blending classical and mode...

Text on the reverse side:L’illustration saisit l’élégance et l’anticipation d’une grande soirée, mettant en valeur un somptueux manteau du soir de ...

Text on the reverse side:The Illustration captures the elegance and anticipation of a grand evening out, showcasing a luxurious evening coat by the...

Text on the reverse side:La Maison Worth, fondée en 1858 au 7 rue de la Paix à Paris, est devenue l’épicentre de la haute couture. Appréciée par la...

Text on the reverse side:The House of Worth, founded in 1858 at 7 Rue de la Paix, Paris, became the epicentre of haute couture. Favoured by royalty...

Text on the reverse side:Paru dans La Gazette du Bon Ton, un magazine de mode emblématique de l’ère Art déco, ce dessin illustre une élégante robe ...

Text on the reverse side:Vers l’âge de 30 ans, Charles Worth était un talent prometteur à Paris, travaillant chez Gagelin et créant des robes admir...

Text on the reverse side:Charles Worth, père de la haute couture, a révolutionné la mode du XIXᵉ siècle avec ses robes luxueuses sur mesure. Il hab...

Text on the reverse side:Charles Frederick Worth, the father of haute couture, revolutionised 19th-century fashion with his luxurious, custom-made ...

Text on the reverse side:Parue dans La Gazette du Bon Ton, un magazine emblématique de l’ère Art déco, cette illustration montre deux femmes vêtues...

Text on the reverse side:Tirée de la pièce La Dame aux Camélias, la somptueuse robe de la maison Worth, avec sa soie fluide et ses ornements raffin...

Text on the reverse side:Une scène de salon de mode, où une femme portant le manteau Worth est observée par un groupe de personnages élégants, refl...

Text on the reverse side:Featured in La Gazette du Bon Ton, a leading Art Deco-era fashion magazine, this illustration depicts two women in luxurio...

Text on the reverse side:Featured in La Gazette du Bon Ton, a leading Art Deco-era fashion magazine, this illustration presents an elegant evening ...

Text on the reverse side:From the play La Dame aux Camélias, the sumptuous gown by the House of Worth with flowing silk and ornate detail, perfectl...

Text on the reverse side:A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflectin...

Text on the reverse side:Around age 30, Charles Worth was a rising talent in Paris, working at Gagelin and designing dresses that drew elite attent...

Text on the reverse side:L’impératrice Eugénie (1826–1920), grande icône de la mode du XIXᵉ siècle, dépensait environ 300 000 francs par an auprès ...

Text on the reverse side:Empress Eugénie (1826–1920), a leading fashion icon of the 19th century, spent around 300,000 francs annually with the Hou...

Text on the reverse side:Deux élégantes dames admirent des tableaux dans un musée, l'une affirmant reconnaître une robe de Charles Frederick Worth....

Text on the reverse side:Two elegantly dressed ladies admire paintings in a museum, one confidently identifying a gown as a creation by Charles Fre...

Text on the reverse side:The Camden Head in Islington is a fine example of Victorian pub architecture. Built in 1899, as shown by carved exterior p...

Text on the reverse side:An auction of Charles Dickens’s belongings took place on 10th August 1870, just two months after his death. Held at Gad’s ...

Text on the reverse side:A contemporary pilot adaptation of a Japanese woodblock print from 1814. The Japanese word for frog is “kaeru”, which can ...

Text on the reverse side:A contemporary Brunel adaptation of a Japanese woodblock print from 1814. The Japanese word for frog is “kaeru”, which can...

Text on the reverse side: An ornate map of the British Isles from The Illustrated Atlas, featuring the Shetland Islands. Counties outlined in colo...

Text on the reverse side: The illustration from British Wild Flowers in their Natural Colour and Form by the Revd Professor Henslow, captures the ...

Text on the reverse side:A contemporary knight in armour adaptation of a Japanese woodblock print dating from 1814. The Japanese word for frog is “...

Text on the reverse side: Believed to be the first ever photo of a ship, this image was captured in 1844 using the calotype process. Designed by B...

Text on the reverse side: Brunel stands before the vast launching chains of the Great Eastern - his most daring creation. Mud-splattered and resol...

Text on the reverse side:Illustration from a coloured chromolithograph published in Boy's Own Paper, featuring detailed illustrations of various Sc...

Text on the reverse side:A contemporary British sailor adaptation of a Japanese woodblock print from 1814. The Japanese word for frog is “kaeru”, w...