Pattern bookmark

Text on the reverse side: The crane is revered as a national treasure in Japan, and has long been seen as a symbol of longevity and good fortune, a...

Text on the reverse side: Poppy flowers taken from a page of a 16th century flora and fauna Tudor pattern book. Poppies are famous for being symbol...

Text on the reverse side: Taken from ‘The Garden of Eden’ embroidery. Pomegranates represent prosperity and material wealth. Lemons, represent hope...

Text on the reverse side: Based on a design by English potter and tile designer, William de Morgan (1839–1917). In Greco-Roman mythology, the peaco...

Text on the reverse side: By British textile designer and potter William Morris (1834-1896), who was inspired by the thrush birds that frequently s...

Text on the reverse side: Tudor rose pattern, based on a design for an embroidery, designed by British architect and painter, Ernest Geldart (1848–...

Text on the reverse side: Coifs were worn as close-fitting caps. Embroidered patterns like this one, with birds, flowers, and insects were extremel...

Text on the reverse side: Ivy and flowers from ‘The Garden of Eden’ Tudor embroidery. The ivy, with its ability to cling to any surface, represents...

Text on the reverse side: Ivy and flowers from ‘The Garden of Eden’ Tudor embroidery. The ivy, with its ability to cling to any surface, represents...

Text on the reverse side: Taken from ‘The Garden of Eden’ embroidery. Pomegranates represent prosperity and material wealth. Lemons, represent hope...

Text on the reverse side: Taken from ‘The Garden of Eden’ Tudor embroidery. Grapes are symbolic of abundance and prosperity. The vines represent co...

Text on the reverse side: Taken from ‘The Garden of Eden’ Tudor embroidery. Grapes are symbolic of abundance and prosperity. The vines represent co...

Text on the reverse side: The Tudor rose featuring on earthenware on white glazing by English potter and tile designer, William De Morgan (1839-191...

Text on the reverse side: Pattern made from royal Tudor emblems featuring on the top left and top right of a portrait painting of Queen Elizabeth I...

Text on the reverse side: The Tudor rose featuring on earthenware with blue on white glazing by English potter and tile designer, William De Morgan...

Text on the reverse side: The rose is often depicted in reference to the Tudor monarchy, represented in the form of the Tudor rose. The flower is a...

Text on the reverse side: The rose is often depicted in reference to the Tudor monarchy, represented in the form of the Tudor rose. The flower is a...

Text on the reverse side: Pattern created from the design on the partlet worn by Queen Elizabeth I in a portrait by the artist Nicholas Hilliard. ...

Text on the reverse side: Pattern created from the embroidered gown worn by Queen Elizabeth I in a portrait by the artist Nicholas Hilliard who was...

Text on the reverse side: Coifs were worn as close-fitting caps. Embroidered patterns like this one, with birds, flowers, and insects were extremel...

Text on the reverse side: An embroidered panel in the manner of William Morris decorated with trailing orange briar roses. The briar rose is symbol...

Text on the reverse side: By the English potter and tile designer William de Morgan (1839-1917) who often collaborated with William Morris and Edwa...

Text on the reverse side: The plum blossom has traditionally been used as a symbol of congratulatory occasions and good luck, representing enduring...

Text on the reverse side: By the British wallpaper and textile designer William Morris (1834-1896) & co. The willow tree with its remarkable fl...