
CRANE EMBROIDERY ON RED
Text on the reverse side: The crane is revered as a national treasure in Japan, and has long been seen as a symbol of longevity and good fortune, ...
View full detailsText on the reverse side: The crane is revered as a national treasure in Japan, and has long been seen as a symbol of longevity and good fortune, ...
View full detailsText on the reverse side: Poppy flowers taken from a page of a 16th century flora and fauna Tudor pattern book. Poppies are famous for being symbo...
View full detailsText on the reverse side: Ivy and flowers from ‘The Garden of Eden’ Tudor embroidery. The ivy, with its ability to cling to any surface, represent...
View full detailsText on the reverse side: Taken from ‘The Garden of Eden’ embroidery. Pomegranates represent prosperity and material wealth. Lemons, represent hop...
View full detailsText on the reverse side: An embroidered panel in the manner of William Morris decorated with trailing orange briar roses. The briar rose is symbo...
View full detailsText on the reverse side: Based on a design by English potter and tile designer, William de Morgan (1839–1917). In Greco-Roman mythology, the peac...
View full detailsText on the reverse side: By British textile designer and potter William Morris (1834-1896), who was inspired by the thrush birds that frequently ...
View full detailsText on the reverse side: An English embroidery dating from the era of King James I. Flowers and plants depicted, including the carnation, foxglov...
View full detailsText on the reverse side: An English embroidery dating from the era of King James I. Flowers and plants depicted, including the carnation, foxglov...
View full detailsText on the reverse side: The crane is revered as a national treasure in Japan, and has long been seen as a symbol of longevity and good fortune, ...
View full detailsText on the reverse side: The stitch used in this 18th century Indian embroidery is typical of Gujarat. Between the 16th and 18th century, textile...
View full detailsText on the reverse side: The cranes symbolise elegance and longevity. The insignia ‘hyungbae’ system displayed the ranks of officials in the Jose...
View full detailsText on the reverse side: Tudor rose pattern, based on a design for an embroidery, designed by British architect and painter, Ernest Geldart (1848...
View full detailsText on the reverse side: Coifs were worn as close-fitting caps. Embroidered patterns like this one, with birds, flowers, and insects were extreme...
View full detailsText on the reverse side: Ivy and flowers from ‘The Garden of Eden’ Tudor embroidery. The ivy, with its ability to cling to any surface, represent...
View full detailsText on the reverse side: Taken from ‘The Garden of Eden’ embroidery. Pomegranates represent prosperity and material wealth. Lemons, represent hop...
View full detailsText on the reverse side: Taken from ‘The Garden of Eden’ Tudor embroidery. Grapes are symbolic of abundance and prosperity. The vines represent c...
View full detailsText on the reverse side: Taken from ‘The Garden of Eden’ Tudor embroidery. Grapes are symbolic of abundance and prosperity. The vines represent c...
View full detailsText on the reverse side: The Tudor rose featuring on earthenware on white glazing by English potter and tile designer, William De Morgan (1839-19...
View full detailsText on the reverse side: Pattern made from royal Tudor emblems featuring on the top left and top right of a portrait painting of Queen Elizabeth ...
View full detailsText on the reverse side: The Tudor rose featuring on earthenware with blue on white glazing by English potter and tile designer, William De Morga...
View full detailsText on the reverse side: The rose is often depicted in reference to the Tudor monarchy, represented in the form of the Tudor rose. The flower is ...
View full detailsText on the reverse side: The rose is often depicted in reference to the Tudor monarchy, represented in the form of the Tudor rose. The flower is ...
View full detailsText on the reverse side: Pattern created from the design on the partlet worn by Queen Elizabeth I in a portrait by the artist Nicholas Hilliard. ...
View full detailsText on the reverse side: Pattern created from the embroidered gown worn by Queen Elizabeth I in a portrait by the artist Nicholas Hilliard who wa...
View full detailsText on the reverse side: Coifs were worn as close-fitting caps. Embroidered patterns like this one, with birds, flowers, and insects were extreme...
View full detailsText on the reverse side: By the English potter and tile designer William de Morgan (1839-1917) who often collaborated with William Morris and Edw...
View full detailsText on the reverse side: The plum blossom has traditionally been used as a symbol of congratulatory occasions and good luck, representing endurin...
View full detailsText on the reverse side: By the British wallpaper and textile designer William Morris (1834-1896) & co. The willow tree with its remarkable f...
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