Painting

Text on the reverse side:Publié dans Les Merveilles de la science de Louis Figuier, la lithographie représente le célèbre Orient-Express. Inauguré ...

Text on the reverse side: The last of Dickens's London homes, Doughty Street, saw the creation of Oliver Twist, Pickwick Papers, and Nicholas Nick...

Text on the reverse side: This artwork features the bodhisattva Manjusri and the goddess Mantramanudharani. Manjusri represents transcendent wisdom...

Text on the reverse side: This self-portrait shows Pissarro as a young man, long before fame and Impressionism’s rise. The work reflects his groun...

Text on the reverse side:This landscape shows Pissarro’s fascination with the French countryside. He often worked outdoors, capturing shifting ligh...

Text on the reverse side:By 1903, Pissarro was celebrated as the “father of Impressionism”, yet he still found fresh beauty in familiar subjects. H...

Text on the reverse side:This painting shows Louveciennes blanketed in snow. Pissarro’s soft brushstrokes convey the chill and quiet beauty of wint...

Text on the reverse side:The Royal Albert Hall’s elliptical glass roof beautifully catches the first light of morning. This architectural marvel wa...

Text on the reverse side: Design based on a Charles Dickens Centenary stamp discovered pasted inside a book cover commemorating the author’s endur...

Text on the reverse side: Design based on a Charles Dickens Centenary stamp discovered pasted inside a book cover commemorating the author’s endur...

One of thirteen kimono-clad portraits made between 1893 and 1896, this work features a Dutch hatmaker’s daughter who became the artist’s muse. Infl...

Text on the reverse side: A moment from Pride and Prejudice where social grace meets subtle matchmaking. With poised elegance and underlying strat...

Text on the reverse side: A contemplative moment from Pride and Prejudice, where stillness speaks volumes. As she gazes upon the portrait, emotion...

Text on the reverse side: From Pride and Prejudice comes a moment of sharp humour and fearless charm. Austen’s heroine turns boldness into brillia...

Text on the reverse side: What was intended as scorn became iconic. In Pride and Prejudice, Elizabeth Bennet’s boldness and wit reflect Austen’s c...

Text on the reverse side: An illustration from “La Chasse Illustrée” (“The Illustrated Hunt”), a hunting journal published by Firmin-Didot. The ar...

Text on the reverse side: An illustration from “La Chasse Illustrée” (“The Illustrated Hunt”), a hunting journal published by Firmin-Didot. The ar...

Text on the reverse side: Monkeys symbolise cleverness and status; pine trees resilience and longevity. In Qing Dynasty China, these motifs convey...

Text on the reverse side:A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflectin...

Text on the reverse side: A fashion salon scene, where a woman wearing the Worth coat is being observed by a group of fashionable figures, reflect...

Text on the reverse side: Illustration from a coloured chromolithograph published in Boy's Own Paper, featuring detailed illustrations of various ...

Text on the reverse side: A colourised adapation of a lithograph by Charles Radclyffe, who worked in London in 1842 to capture this South Western ...

Text on the reverse side:The Joseon dynasty rank badge symbolised authority, with its tiger motif embodying courage, power, and protection in Korea...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

Text on the reverse side:This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. an...

Text on the reverse side:This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. an...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

Text on the reverse side:The rose symbolises both beauty and fragility - qualities deeply intertwined with the opera’s themes, conveying the dramat...

Text on the reverse side: The stage set painting for La Bohème captures the vibrant atmosphere of Paris's Latin Quarter. Rich in detail, the desig...

Text on the reverse side:A panoramic view of London from Somerset Gardens to the Tower highlights St. Paul’s Cathedral and church spires. In the fo...

A panoramic view of London from Somerset Gardens to the Tower highlights St. Paul’s Cathedral and church spires. In the foreground, a Dutch-flagged...

This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. and G. Shrimpton in 1869.

Text on the reverse side:This card is based on a chromolithographic college crest designed by Albert Henry Warren and published in Oxford, by T. an...